{"id":207,"date":"2018-09-29T08:39:40","date_gmt":"2018-09-29T08:39:40","guid":{"rendered":"https:\/\/demo.afthemes.com\/storecommerce-pro\/?p=207"},"modified":"2024-03-13T12:31:31","modified_gmt":"2024-03-13T12:31:31","slug":"top-4-sustainable-lifestyle-fashion-tech-podcasts-to-know","status":"publish","type":"post","link":"https:\/\/okweburg.com\/?p=207","title":{"rendered":"Optical mixing of colours\ufffc"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors \u2013 all skillfully made based on a 100% acrylic emulsion and high-grade pigments. Enjoy great lightfastness and a choice of opacities. This medium viscosity paint is easy to work with and offers a smooth color when applied on its own. In combination with our various painting mediums, the paint becomes extremely versatile<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The world around us is an ever-changing spectacle of colours. To capture this in a painting, knowledge of colour theory is indispensable<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The following topics are explained in the book &#8216;Colour!&#8217; by Royal Talens: the creation of colour, the properties of colour, mixing colours and painting with colour.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Using examples and explanations of various techniques, the possibilities for achieving the desired result are discussed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Below is an example of <strong>optical colour mixing<\/strong>. This technique can be found on page 21 of the \u2018Colour!\u2019 booklet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Head outdoors and take a photo of an environment with plenty of depth, or go with an existing photograph. Then choose the section you would like to use for your work.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Materials used<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/rembrandt\/paper\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rembrandt acrylic paper<\/a><\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/amsterdam\/brushes-and-painting-knives\/\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam brushes<\/a>: a fine brush and a medium-sized gussow brush<\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/amsterdam\/standard-series-acrylics\/\">Amsterdam Standard Series<\/a>: Zinc White 104, Titanium White 105, Ultramarine 504 and Sap Green 623<\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/amsterdam\/acrylic-marker\/\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam acrylic markers<\/a> (Medium): Ultramarine 504, Primary Cyan 572, Phthalo Blue 570, Burnt Sienna 411, Burnt Umber 409, Neutral Grey 710, Permanent Green 618, Yellowish Green 617, Primary Yellow 275, Yellow Ochre 227, Azo Yellow Deep 270, Oxide Black 735<\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/amsterdam\/acrylic-marker\/\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam acrylic markers<\/a> (Small): Titanium White (105)<\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/van-gogh\/pencils\/\" target=\"_blank\" rel=\"noreferrer noopener\">Van Gogh sketch pencils<\/a> (preferred hardness)<\/li><li><a href=\"https:\/\/www.royaltalens.com\/en\/brands\/bruynzeel\/design\/accessories\/\">Bruynzeel Design kneadable eraser<\/a><\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Step 1<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sketch with pencil on acrylic paper. Not everything on the photo needs to be included in the sketch. In this photo there was a large tree precisely in the centre of the selected area. This would have drawn considerable attention and was therefore omitted from the sketch. Also ensure that you don&#8217;t depict too many distracting details along the edge of your work. This will focus attention on your selected subject.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.royaltalens.com\/contentassets\/87dada059f7f4168ac16f1fcf8e99156\/optical-mixing-step-2.jpg?w=640&#038;ssl=1\" alt=\"Step 1\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Step 2<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Begin by painting the first layer for the sky with acrylic colours (105 &amp; 504) and a coarse brush.<br>Please note! The sky is always lighter just above the horizon than further up. Paint this on with broad strokes. Continue with the rough base painting of the buildings and shapes. Use a brush for the larger areas and a marker for the fine elements<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.royaltalens.com\/contentassets\/54d4a8c6f0c04fa6b7eeea6c3b287daf\/optical-mixing-step-2.jpg?w=640&#038;ssl=1\" alt=\"Step 2\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Step 3<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Apply more details in black and blue. Observe the spatial effect. The greater the colour contrast, the closer the objects appear. In this work, therefore, the shadows of the houses are first made black and then blue. This makes the houses appear further away than if you were to make the shadows black. By layering the two colours, you achieve a deeper blue. (&#8216;Colour!&#8217; &#8211; \u201cSaturation and suggesting space&#8221;, p. 27)<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.royaltalens.com\/contentassets\/6c3572829dae4212a210851da0ebe64d\/optical-mixing-step-3.jpg?w=640&#038;ssl=1\" alt=\"Step 3\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Step 4<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Now fill in the tree line with marker. First, the dark shape, then lighter points in white, orange and yellow for the spatial effect. Initially the trees are too close. This can be remedied with blue dots at the top of the trees. (Colour! &#8211; &#8220;Optical mixing of colours&#8221;, p. 21).<br>TIP: For optical colour mixing, wait until the bottom layer is dry, as the paint will otherwise mix when wet.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.royaltalens.com\/contentassets\/0dc21c02bb174bf79d5bbcd1e207cef2\/optical-mixing-step-4.jpg?w=640&#038;ssl=1\" alt=\"Step 4\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Step 5<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Continue to add more details. Try to work with many intersecting dots and lines to create an optical mix of colours. Be sure that the shadows and the perspective are still correct. Use the thin marker to add (small) white details.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.royaltalens.com\/contentassets\/1055644fc4d94a11929819470f0245ee\/optical-mixing-step-5.jpg?w=640&#038;ssl=1\" alt=\"Step 5\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Step 6<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lastly, finish working on the water. Paint the white areas turquoise (with a brush).&nbsp;&nbsp; Create the white and dark reflections of light on the water with a marker.&nbsp; Blending both white and blue achieves an optical mix of colours. (Colour! &#8211; &#8220;Optical mixing of colours&#8221;, p. 21).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: you can mix the colours of the markers as long as the paint is still wet by overlapping the strokes. You can also draw a line with the marker and use a brush to blend and smooth it out (see the white silo on the right).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors \u2013 all skillfully made based on a 100% acrylic emulsion and high-grade pigments. Enjoy great lightfastness and a choice of opacities. This medium viscosity paint is easy to work with and offers a smooth color when applied on its own. In<span class=\"read-more-faq\"><a href=\"https:\/\/okweburg.com\/?p=207\">Read More<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":6165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[244],"tags":[364],"class_list":["post-207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-royal-talens","tag-acrylic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Optical mixing of colours\ufffc - Okweburg Nig Ltd<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/okweburg.com\/?p=207\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Optical mixing of colours\ufffc - Okweburg Nig Ltd\" \/>\n<meta property=\"og:description\" content=\"The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors \u2013 all skillfully made based on a 100% acrylic emulsion and high-grade pigments. 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